I've wondered about these discussions. You could rig up a CD-changer so that the judge thought he was playing his test CD, when really he was playing your remastered CD. How is that different from the empeg situation?

The only way the judge can know for sure is if he supplies, IN REAL TIME, an analogue or digital stream of data. Real time is the key I presume, because EQ is allowed, but remastering isn't. So really, all competitors should provide a line in or digital in, and the judge then hooks in his trusted equipment.

Am I missing something?

Richard.