Quote:
Some may be the results of having ridiculously expensive equipment.


Yeah. And Rembrandt no doubt had really good paint brushes.

There's a great deal more to it than the kind of equipment used, most important being the ability to see something extraordinary in the mundane and then have the vision and technique to extract it.

I guarantee that you could give Ansel Adams a Kodak Instamatic (well, you could if he hadn't died 23 years ago) and turn him loose for a day and he would bring back better pictures than you or I could get in a week even using Dan Wallach's dream SLR.

tanstaafl.
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"There Ain't No Such Thing As A Free Lunch"